Thomas Bayrle, Sarah Browne, Andrea Büttner, Alice Channer, Isabelle Cornaro, Dewar & Gicquel, Pernille Kapper Williams and Bela Kolárová


A publication featuring an essay by Glenn Adamson, author of Thinking Through Craft and Head of Graduate Studies at the Victoria and Albert Museum, accompanied the exhibition, which was curated by Alice Motard in collaboration with Alex Sainsbury.

Lettering by Paul Antonio, composed and engraved into traffolyte sign board.